The Bard and the Stars

Some Examples of Astronomical Ideas and Images in Shakespeare's Plays

David Hurst, Glendale Community College

The North Star, Polaris, is the ultimate figure of order and stability. In Julius Caesar, the conspirators pretend to plea for Caesar to pardon the exiled Publius Cimber, but Caesar will not be moved:

Disorder among the planets brings uncertainty and foretells disaster.
As the Greek hero observes in Troilus and Cressida:

Comets show up at unpredictable times, upsetting the order of the universe, so they are evil omens.
In Henry VI, the Duke of Bedford remarks upon the death of the greatest English hero, Henry V:

The moon was thought to cause changes in personality as it went through its phases.
It was thought of as a cause of fickleness, depression, amorousness, and outright madness (lunacy).
When Romeo sees Juliet on the balcony, he exclaims:

In Othello, the murderer, driven insane with jealousy,

makes a much darker observation:

Eclipses, because they bring darkness, are an even worse sign of disaster.
Having just murdered his wife Desdemona, Othello wonders how she can look so virtuous and
wonders why no disruption in nature comes as a sign of
the universe being so out of order:

In King Lear there is what amounts to a debate between
the old view of the universe and the new questioning.
Edmund the Bastard has told his father, Gloucester,
that his legitimate brother Edgar has written a letter trying to
arrange a conspiracy against the old man:

A similar exchange of views concerning astrology occurs in Henry VI.
Glendower is a believer. Hotspur is a skeptic: